Susanne Langer Feeling And Form A Theory Of Art Pdf

susanne langer feeling and form a theory of art pdf

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Dance, Knowledge, and Power

Introduction Susanne K. Her theory remains, in spite of fundamental weaknesses, a significant contribution to the philosophy of music. In the second part I shall try to relate her theory of music to more recent theories of the role of emotion in music. Langer and Kivy also differ as to what would constitute a proper account of the expressive properties of music. I will return to these matters when trying to sketch out some of the options regarding the expressive qualities of music. You are not authenticated to view the full text of this chapter or article.

Recognition came late in his life, however, starting only in with the publication of a review article by J. Schopenhauer held that the character of the will qua thing in itself—blind urge—expresses itself in the perpetual strivings of living creatures and in the forces of inorganic matter. Grounding his proto-Darwinian philosophy of nature in his metaphysics and the empirical sciences of his day, Schopenhauer viewed nature as an arena where living beings compete to survive and procreate, where species adapt to environmental conditions, and, most emphasized by Schopenhauer, where sentient beings suffer as virtual slaves to their will to life [ Wille zum Leben ]. This is a view that has seldom been defended in the history of Western thought and became a potent philosophical problem for Nietzsche and atheist existentialists. Mitigating his pessimism somewhat, Schopenhauer does see a salutary role for the intellect in human life.

Aesthetics

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Schopenhauer’s Aesthetics

Susanne K. This analysis of her work centers on two key concepts within her philosophy: the virtual as the aesthetic effect of the work and the perception of the work through intuition. I endeavor to show how her work provides a practical, conceptual system for understanding dance as an a-linguistic form of meaning-making, bodily experience, and knowledge. This is a preview of subscription content, access via your institution.

Philosophy of music is the study of fundamental questions about the nature and value of music and our experience of it. However, unlike philosophy of science, say, the target of philosophy of music is a practice most people have a significant background in, merely as a result of being members of a musical culture. Thus, as with the central questions of metaphysics and epistemology, not only can most people quickly grasp the philosophical questions music raises, they tend to have thought about some of those questions before encountering the academic discipline itself. This is as good a place as any to note that I, like most in the English-speaking philosophical world, focus exclusively on Western musical traditions.

Aesthetics

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Feeling and Form

Надо было ударить Хейла посильнее. Она посмотрела на беретту и внезапно почувствовала тошноту. - Вы действительно собираетесь пристрелить Грега Хейла. - Нет.  - Стратмор хмуро посмотрел на нее и двинулся к двери.  - Но будем надеяться, что он этого не узнает.

 На улице еще темно, - засмеялся. - А-ах, - сладко потянулась.  - Тем более приходи. Мы успеем выспаться перед поездкой на север. Дэвид грустно вздохнул: - Потому-то я и звоню. Речь идет о нашей поездке. Нам придется ее отложить.


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 - В этом нет никакого смысла. Стратмор встал и начал расхаживать по кабинету, не спуская при этом глаз с двери. - Несколько недель назад, когда я прослышал о том, что Танкадо предложил выставить Цифровую крепость на аукцион, я вынужден был признать, что он настроен весьма серьезно. Я понимал, что если он продаст свой алгоритм японской компании, производящей программное обеспечение, мы погибли, поэтому мне нужно было придумать, как его остановить. Я подумал о том, чтобы его ликвидировать, но со всей этой шумихой вокруг кода и его заявлений о ТРАНСТЕКСТЕ мы тут же стали бы первыми подозреваемыми. И вот тогда меня осенило.  - Он повернулся к Сьюзан.

The Philosophy of Music

Пожилой уборщик наклонился и выключил мотор. - Eh. - Una nina? - повторил Беккер.  - Pelo rojo, azul, y bianco. Красно-бело-синие волосы.

Мидж подошла к принтеру и, забрав распечатку очередности задач, попыталась просмотреть ее в темноте. - Ничего не вижу, - пожаловалась.  - Включи свет. - Прочитаешь за дверью.

3. Susanne Langer on Representation and Emotion in Music

Свернув, оно промчалось через ворота Санта-Крус, обломав в узком проезде боковое зеркало. Беккер знал, что он выиграл.

3 COMMENTS

Justin L.

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Aesthetics may be defined narrowly as the theory of beauty, or more broadly as that together with the philosophy of art.

Jairo V.

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Susanne K. Langer. FEELING. AND. FORM. A THEORY OF ART. D E V E L O P E D F R O M Philosophy in a New Key. CHARLES SCRIBNER'S SONS NEW.

Ena C.

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